Victorian electro-musical variety hall acts / The Art of Noises in London, 1914

There are two new blog posts over at the Miraculous Agitations blog.  ‘The Wire #364 – and Interestingnesses on the Art of Noises‘ gives a bit of background information to the Futurists’ Art of Noises in London, 1914.  Two important sources are transcribed and downloadable.  The Art of Noises centenary is a good cue to examine other bombastic and groundbreaking music hall antecedents, and this is found in the latest issue of The Wire magazine.

The second post follows up with some information on Clickety-Click (reperformed and hosted here by The Wire) – ‘Clickety-Click – The earliest surviving electrical musical score?‘.  Clickety-Click was an early electro-musical score published circa 1887, unearthed during my research into acoustic novelties of that era.  The recreation was carried out at Resonance 104.4FM by myself, Fari Bradley (piano), Chris Weaver (microphonics) and Toby Clarkson (photographics) – all members of Oscillatorial Binnage as it goes – one of our more unusual and educational productions!


Resonating street furniture, post-electronic busking and ‘acoustic circuit-bending’

New blog post over at the Miraculous Agitations blog – on resonating street furniture, electromagnetic apparatuses, post-electronic busking and ‘acoustic circuit-bending’.  It forms a sort of cautionary tale on the perils of electromagnetically resonating too far afield.

Also, a primer on post-electronic music can be found in the new Exact Change e-zine #8.